- Long Scale Orleans. Brazilian Rosewood and Bearclaw Swiss Pine.
- Will McNicol plays the Brazilian Rosewood Orleans
- Wills Upcoming Gigs “Up North”
- Pomelle Sapele and Sinker Redwood Personal Selection Ariel
- George Sansome plays the Pomelle Personal Selection Ariel
- Remi Harris. Back home – Back to the jazz.
- Val Doonican
- Dove Ellis on Mercury Awards
- Rosewood and Cedar Leonardo
- Tristan Seume plays the Rosewood Leonardo
- Tristan at Much Wenlock
- John Smith at Stoller Hall
- News Archive
- Dave Holmes at the Workshop
- Alan Thomson and Katie Spencer
- Used Instruments for sale
- Special Guitar for sale in USA
- Gordon Giltrap in Birmingham
- Adam Palma. Tomorrow.
- Jack Haigh. Toy Story
- Louis Bingham and Zingo Warde. Pasucais de Coana
- Grainne Brady. Oak as old as your home
- Baritone Uke for Rosie Hood
- That’s it for this month!
Long Scale Orleans. Brazilian Rosewood and Bearclaw Swiss Pine
Long Scale Orleans. Brazilian Rosewood and Bearclaw Swiss Pine
The guitars we have for sale this month are, I think, among the best we have ever made. I’m tempted to hold on to them so that we can always show them to visitors!
The beautiful Rio Ariel I showed last month has been sold, and I do miss it already. Guitar making is full of pain.
This first guitar is a development of the Orleans design, which is approaching ten years old now and I’m constantly tweaking it, usually with encouragement from Mr Martin Simpson. This latest example is rather lovely. The Brazilian Rosewood comes from an impeccable source and has the most amazing colour and grain. The Bearclaw Swiss Pine is about as good as it gets . Every part of it is pure quality, the Snakewood bindings, red borders and subtle purflings add a touch of luxury in just the right proportion. The neck is three sections of perfect Brazilian Mahogany, again bordered by delicate red lines.
45mm neck with Gotoh 510 tuners, Pearl diamond inlays. Nothing fancy, just little extra touches because the guitar justifies them. Pure quality and nothing extra.
But that is all detail. The main feature here is the longer scale length, 648mm rather than the usual 629 . That extra tension and string mass help take full advantage of the body size, while the cutaway and 12 fret neck join make the guitar compact and perfectly balanced. The headstock is the solid design rather than the slotted head that we usually use on the Orleans guitar, just to make it different and maybe a little more convenient.
And the sound? Listen to Will McNicol playing it in the video below. We think it’s wonderful.
I’d love to keep it, but that won’t pay the bills.
So, it’s for sale at £9950.00
Will McNicol plays the Brazilian Rosewood Orleans
Will chose his own composition “An Autumn Moment” to demonstrate this guitar for us.
It was a good choice, the gentle nature of the music, and Will’s sympathetic playing style shows the guitar off very well. When he turns the guitar around the glorious colours and patterns are very obvious
I think that guitar makers have a massive problem in describing the sound of the instruments they make. We have to use words, but words really don’t work when talking about sound, and of course, each new guitar will need different words every time, so it’s very hard.
All I can say is that we think this guitar sounds superb in every way and we are very pleased indeed.
Will’s Website
Will's Upcoming Gigs "Up North"
Throughout his career, Will has performed extensively across the UK and internationally, presenting concerts as a solo artist, appearing at major festivals, and supporting world-renowned musicians including Antonio Forcione, Pierre Bensusan, Clive Carroll, Jon Gomm, Martin Simpson, and Mumford & Sons, among others.
Catch him at one of his gigs in November if you can.
Pomelle Sapele and Sinker Redwood Personal Selection Ariel
Pomelle Sapele and Sinker Redwood Personal Selection Ariel – For Sale
Sapele is a wonderful wood for guitar making, and it is still readily available in large sizes.
It’s unusual in one respect though, normally only the rarest of woods have strong grain patterns, but Sapele comes in a variety of incredible figure, fiddle back, quilt, birdseye, and sometimes like these pieces, which seem to be a hybrid of fiddle back and quilt.
Isn’t it lovely? The top is a good match, deeply coloured Sinker Redwood from Mendocino. The bindings and neck lamination are Ebony with red borders; I think the contrast is beautiful .
The neck is the usual 46mm wide, and quite shallow in depth, a profile which I’m asked for quite a lot.
As for sound, well, the Ariel always delivers far more than you might expect. You can hear it in George Sansome’s video below
It’s for sale at £4,700
George Sansome plays the Pomelle Personal Selection Ariel
I believe this is part of a Bach Cello Suite. What a pity Johann Sebastian didnt know he was writing music for guitar. A large part of what he did write would eventually be transposed for guitar and he never knew!
I hope he would have approved of George’s version, it shows off the guitar very nicely indeed.
He videoed this and another tune when he came to visit a few weeks ago. It was recorded in my office with a vacuum cleaner and fire extinguishers showing in the background, Mike English has very cleverly made them all disappear!
George’s Website
Remi has been working non-stop for many months in several different musical combinations. Although I’m a massive fan of everything he does, I do feel that “coming back home” to gypsy Jazz is a very appropriate phrase for him.
I recently had a note from an existing customer –
“I happened to see a very impressive demo on YouTube by a young phenom, Remi Harris, and searched to see who made his 6-string weapon. Lo and behold, it’s you and your fine crew! How cool! I’m impressed by your interest and ability to create instruments in such varying genres”
Remi’s Website
Two people spotted this video last week, it’s from 1981.
I’m sure I knew all about this at the time, but I really can’t remember who the two other guitarists were.
Dove Ellis on Mercury Awards
Louis Campbell told me about this in advance which was very kind of him. Dove (Thomas) chose to play Louis’s custom Falstaff for the show, with Louis playing Nylon string , sitting behind.
Louis Campbell’s Website
Dove Ellis Website
Rosewood and Cedar Leonardo
I’ve often said that I wish we had made the Leonardo style much earlier, I think it’s one of the most attractive and practical designs I have ever seen. It is particularly comfortable to play and works very well in a variety of different timbers.
This one is an example of what is becoming a classic combination, Rosewood and Cedar. The pieces we chose are exceptional, some of the nicest Indian Rosewood and fine honey-coloured Cedar that we have ever used. The laminated neck is 44mm wide with an Ebony fingerboard and Pearl diamond inlays.
The sound is warm, rich and balanced. A glorious guitar.
For Sale at £5,900.00
Tristan Seume plays the Rosewood Leonardo
The tune is Cogra Moss, written by Tristan. It’s a tiny man-made Reservoir in the north Lake District that is no longer used, now it’s there just to provide inspiration for musicians.
In some ways the music and playing is similar to Will’s – gentle and sensitive.
That’s hardly a surprise considering that they have known each other, and played together, for many years.
Tristan’s Website
Tristan at Much Wenlock
Tristan has a rare solo gig coming up – I wish we were much nearer.
Is there such a thing as “too much” Wenlock?
Four pints of Wenlock please.
John Smith at Stoller Hall
We were at this concert in 2021. I wondered where the video had disappeared to in the meantime. It was a splendid night of music and burnt into my memory for another reason.
I told the story at the time …
Rather than drive to Manchester from Blackpool and have one of us sulk because he couldn’t have a drink, Keith and I decided to let the train take the strain. What a good idea we thought, we’ll have a few pints we thought, catch the last train back we thought, change at Salford and not stress about anything. That all worked quite splendidly until we set off home after the show, got off the train at Salford at 11.30 and looked for the advertised connection.
No train.
We asked the only rail employee we could find – “which platform does the Preston train leave from please?” “No more trains tonight, just one back to Manchester”. “But it’s on the timetable” “Sorry, there are no more trains” “Are you sure?” ” There are no more trains, other than one back to Manchester” “But…”
Stunned silence, anxious looks, neither of us had a phone. More silence. Hesitant discussion of options. Quick but fruitless search for taxi. Rail employee no help whatsoever. Rail employee disappeared. Empty station. Final train arrived, our only option, taking us to our unknown doom.
Back in Manchester we had a choice – hotel, taxi or sleep on a bench.
The taxi drivers lit up with delight when we told them we needed to get to Blackpool. The driver at the front of the taxi rank didn’t speak very good English and didn’t understand where we wanted to go. The driver of the second cab did speak good English and knew exactly what was involved – I could see the pound signs spinning in his eyes. It was quite funny watching his dilemma, he obviously wanted the fare for himself, but I think the first chap might have been his father-in-law, so he was a little conflicted. Anyway, we did the right thing, chose the first driver and of course we needed to pay the man before he would drive us anywhere. We tried counting those new ultra-slippery plastic notes, in the dark, in a strong wind, slightly drunk. We needed £140 and we didn’t have enough. But perhaps we did, and it just blew away, we’ll never know. A good job he had a credit card machine.
I think we will question that choice of driver for the rest of our lives, it’s quite likely that he was a retired fighter pilot. While still in Manchester, the speed bumps were ignored, and once on the motorway he used all four lanes plus the hard shoulder in a constant sideways swooping motion, a bit like ice skaters do to get up speed. Have you ever taken the slip road off to the left then suddenly changed your mind and swerved back onto the motorway at full speed, crossing all the bumps and ridges in between? In a Black Cab? We have. Halfway along the M61 we began to scrabble for our seat belts – watch the film “Bullitt” and you’ll see what I mean. And guess what? Despite all the delays, we arrived back before the train that didn’t exist would have arrived if it had existed. Thank you, Mr very understanding but scary fighter pilot taxi man.”
Sorry, I’ve not written a silly story for a while , I must do something about that, life is getting too serious!
News Archive
I found that story by using the search facility on the new website and It occurred to me that you might like to explore the archive newsletters. I’ve edited a lot out and kept what I think are the most interesting items. Have a look – this is the 2021 archive.
Link to the 2021 Archive
Dave Holmes at the Workshop
We had a visit from our good friend and guitarist extraordinaire, Dave Holmes , mostly just to say hello but also to check on progress on his new guitar- an Ariel made from Birds eye Maple .
The picture is Dave playing his first Falstaff through a Marshall Master Volume Head in 1982. Fast forward forty four years, Dave is about to receive his tenth Fylde. That’s not a record, but it is impressive.
Dave has spent the intervening time working on most of the West End Musicals and performing or recording with the likes of Shirley Bassey and the Bee Gees. He is currently writing and recording an acoustic album of his own. Watch this space.
Dave’s Website
Alan Thomson and Katie Spencer
Alan’s an old friend with an impressive CV. He’s probably best known for his work with John Martyn, and more recently Martin Barre and Jacqui McShee’s Pentangle. If you want to hear more names – Geezer Butler, Jerry Donahue, Hank Marvin, Long John Baldry, Denny Laine – impressed?
He came along to try out the King John Fretless Bass that we are selling, along with its bombproof Calton case, it will make a good addition to the Martin Barre acoustic set.
He was on tour with Katie Spencer, so they both had the workshop tour, and a few guitars were tested out. I offered tea and choccy biccies, but they said no. I think that’s a first. What’s wrong with my biscuits? They were the ones with bits of Jaffa Cake in them!
Alan’s Website
Katie’s Website
Used Instruments for sale
I’m constantly being asked to sell older instruments when the original owner has passed away or can no longer play. Sometimes they are in near perfect condition, and others might need a little TLC such as refretting or minor repairs, it’s all done before we sell them.
I can’t show everything we have, and it changes fast, so if there is anything you are looking for, email me and I’ll put you on my little list
The ones we have been able to advertise are here …
Special Guitar for sale in USA
Made in 2002, it has the serial number 6000 because I thought it deserved it
This guitar has been stuck firmly in my mind for over twenty years, making those Celtic knives was the most fun I’ve ever had with inlay work – no customer specification or rules to follow, just trying ideas out until they I liked the way they looked. I think perhaps my eyes and hands worked rather better then. I wonder if i could do it now?
The body is made from old fashioned chocolate coloured Brazilain Rosewood with a truly exceptional Spruce top. The bindings are Curly Koa, and the neck is laminated from American Ash and Claro Walnut. Lots of Abalone shell to make it special.
The owner lives in Arkansas and can no longer play. He is looking to sell it for $8,000, which is a massive bargain, and it’s an exceptional guitar.
Email me if you have an interest, and I’ll put you in touch.
Gordon Giltrap in Birmingham
Who’s going? We are, with Dave Holmes and many other friends, it looks like being a rather special night and it’s in my old stamping ground, so I’m really looking forward to it.
Gordon’s Website
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Adam Palma. Tomorrow.
This is unusual for Adam , I’ve only every heard him play extremely fast, he seems to have discovered slow and soulful. But of course, I said that before he got half way and he started speeding up a little.
Very atmospheric, well-done Adam and Adeb.
When I discovered the translation from Polish, I could see that this was the first day of Adam’s festival. The second day featured the Rosenburg Trio – “augmented by Adam”
Having your very own guitar festival with such quests is definitely a mark of musical respect.
Adam’s Website
Jack Haigh. Toy Story
This is yet another example of me losing track of what Fylde players are up to. Jack has been making videos with his Alchemist for over ten years, and I miss some of them, I’ve simply too much to be keeping on top of.
I really do like to be told of anything interesting – so don’t be scared of telling me!
I noticed that part of Jack’s “work” is putting together a package of music for weddings including live performance and special commissions. What a good idea! Think of all the cake!
Louis Bingham and Zingo Warde. Pasucais de Coana
I love pipe music, and this is very good, the pipes are actually in tune and keeping proper time throughout!!
I think this is more than one tune, but it’s massive fun whatever it is. I’m going to use this when somebody asks me why we use a small soundhole on the Cittern. The deep dark sound comes from the low resonant frequency of a sound box with a small aperture. But you knew that didn’t you?
Louis’ Website
I know it’s a short clip, but it’s a lovely song and I wanted to mention Grainne. She wrote the song along with our good friend Findlay Napier and often performs with “our own” Heather Cartwright. She is also good pals with Elliott Morris, so we have lots of connections.
Grainne is mostly a fiddle player, but have you noticed her guitar?
It only has five strings.
We made it for Adam Holmes of Magpie Arc, they christened it “The Belltar”
I don’t know how Grainne became its’ custodian, I’m sure somebody will tell me.
Grainne’s Website
Baritone Uke for Rosie Hood
From five strings to four strings. We do like a bit of variety.
Rosie is yet another BBC2 Folk Awards Nominee. We have a lot of these wonderful people amongst our friends and customers.
“The uke is fantastic, beautifully resonant and comfortable under my hands. I play baritone uke like a small guitar really and it’s exactly that! I feel like it’s the perfect complement to my voice. It’s so good that I had a crisis of confidence feeling that I didn’t deserve such an instrument once I got it home!
Rosie’s Website
That's it for now - see you next month!