
Please note: due to changes in regulations and constant design developments, we sometimes need to change details such as binding and inlay materials.


You've seen this before. It's still here so I'm going to tell you about it again.
Why hasn't somebody bought it?
This is one of the guitars we had on show at Ullapool this year.
Deeply figured "Pomelle" Sapele and unbelievable Swiss Pine for the soundboard. The grain is so fine it is actually very difficult to see. Ebony bindings. Neck laminated with Mahogany and Ebony sections, all bordered by red lines. Pearl Diamond inlays. Gotoh 510 tuners.
It's a very unusual combination of timbers for us. With a Spruce soundboard, I like to use the hardest and stiffest timbers for the back and sides, and that usually means the more exotic and expensive choices. When I bought this Pomelle some years ago, it wasn't the most expensive, but I've recently seen it for sale on American sites and it's becoming much more highly valued.
The deep figure makes the wood denser and harder, so I think this combination works very well, it has the power that we would expect from a Falstaff, but with rather more warmth, a slight nod towards an Orsino. You can hear it played gently on Will's video below
This is a stunning guitar, in sound certainly, but also in appearance.
For sale at £6,200
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Will looks mightily pleased with himself at the end of this video, and so he should.
John is coming to the end of this year's tours, he has been extra busy and selling out shows wherever he plays. While in the Netherlands he somehow found some studio time to make a series of videos for "The Influences" all of them using his "Smithcaster".
I've chosen this track because there are so many lovely shots of the guitar, and because the guitar playing is entirely acoustic in style, it's a little incongruous to see the guitar and hear that sound. We only intended to make one of these, but then we made another one, then another one, etc.
We really must decide on a name!
I do like to include something from Skeet whenever I can, and this popped up at just the right moment. I've noticed one or two of John's songs being covered by other artists, which is fantastic news for everybody concerned and I suspect this video will have us all giving it a go over the holidays.
Note to self — must remember to take a guitar home.
Over the last few years I've often looked for videos of Archie which I could use here, but good ones have been difficult to find. It's such a shame that so much musical history was never filmed and now that a whole generation of singers has almost gone, finding something like this is so valuable.
Archie is playing his Orsino in this video.
The song is about the Isle of Mull. I think it shows Archie's voice rather nicely, but I wish the video didn't end the way it does.
I understand that Celtic Connections have managed to find a space to celebrate Archie's unique contribution. I'll say more when I find out.
Archie was one of my very earliest customers and had numerous Fylde guitars during his career. Before long I hope to have his first Fylde, an Olivia model which he called Thelma, and his much-loved Orsino - which of course, he called Louise.
We will be waving a magic wand over those two guitars and selling them to raise funds for Archies family. Imagine having a guitar that has been sung to with that voice, thousands of times. Watch this space
While we are in Scotland, just a shout out for our good friend Findlay, He has just won "Best Composer" at the Scots Trad Music Awards - or “Na Awards”.
Well done, Findlay.
… and while we have the opportunity - another of our special young friends, Innes Watson won the Best Tutor award, to go along with his Instrumentalist of the Year award from a few years back. There can’t be many young folk/trad players these days who Innes hasn’t helped
I spoke to Martin while he was at the airport at the start of this tour. He tried to explain how complicated it was going to be to get around and get home in time, involving flights, Eurostar then more trains and finally a car journey to meet all his obligations.
Planes Trains and Automobiles. I’ve heard that before somewhere.
Martin has borrowed Louis’s custom Falstaff for this tour. He is quite comfortable with it, as its very similar to the one we made for him earlier this year, both being 13 fret neck joins.
As it happens, on my bench at the moment is another of Martin’s Fylde guitars, which I’m changing the neck on to match his new one.
It’s a great video, and isn’t the Cello a wonderful instrument?
Another video made in the last few hours, I know we have used another video of John this month, but this is so “matched” with Martin's video above that I've included it anyway!
John played at the lovely theatre in Pieve di Cento Italy this week, hosted by our friends Giulio and Giulia from SEC guitars.
It’s the same theatre where we saw Will and Jule last year, Teatro Comunale Alice Zeppilli.
I didn’t know in advance, but we had a number of friends in the audience, so we have right up to date photographs and a video of the last song of the show.
John handles every audience in a very professional manner!
The second of two of the best guitars we have ever made, and both are still for sale.
I'm very surprised they are still here. Seven of the nine special guitars we built for Ullapool sold straight away, and these two are feeling a little unloved.
There is no doubt that everybody is finding money tight at the moment, but Christmas is getting closer and one large roll of wrapping paper should be enough. If you put a couple of cushions in with the guitar, the shape won't give it away.
For this guitar I chose the best pieces of figured Claro Walnut to pair with the fine dark Sinker Redwood soundboard. The neck is made from Walnut and Mahogany, all possible only because we have such "extensive" timber stocks. Gotoh tuners, 45mm neck with Abalone Diamond inlays.
It's a 12-fret long scale, placing the bridge just where it wants to be to achieve a big, rich, warm balanced tone. A beautiful little giant of a guitar.
For sale at £7,400
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A message from Will -
"If you’re looking for any stocking-fillers for a guitarist or music-enjoyer in your life this Christmas, may I humbly point you to the shelves of my online shop? We’ve got CDs, vinyl, custom notation books, teaching books, lesson vouchers - all sorts Thank you!"
Well, I've advertised Will's "Merch" so it’s only fair. It's a pity that CDs aren't as popular as they used to be, but this one is rather special. It includes a book!! Well, more of a booklet really. It's very good. And all proceeds go to charity. And it’s Christmas.
I do enjoy Lindsay's voice and playing and I particularly like the bouzouki when it’s played with full chords, deep and rich.
Biréli seems to bring out his Fylde guitar on a random rotation pattern. It disappears for a few months, then it's back again. It's wonderful to see him playing it next to Martin Taylor, but I do think Bireli should turn his volume up a bit.
It was Adam Palma who introduced Biréli to that guitar, and that has reminded me that I've promised to make another one for Adam and we haven’t started it yet.
Moira - I’m just going to work for a bit!
"Guitar Artistry of Eric Bibb". Yes indeed. There seem to be some re issues of Eric's Videos at the moment, which is really good news for me. This is one of his songs he played a lot when we first met him.
Isn't this good? I've seen Len's videos before, but I know nothing about him. I'd love to be in touch if anyone can help?
A classic song, probably one of the most common "ear worms" I can think of. Gareth has a knack of picking those tunes that people want to play, and putting them "out there" on video, which I think is the best teaching media ever invented. I couldn't imagine going back to video tapes.
Jochen sent me this video - 55 minutes talking and playing. All but one tune on his Fylde Single Malt Mandolin
He has had this mandolin for a long time now; it's sounding better and better.
Yes, I do know it’s all in German. Music needs no translation.
There is quite a story around this guitar. It belongs to a good friend who bought it in 2003 after having had his original Oberon stolen. It has been his main guitar ever since.
He was a close friend of John Renbourn, and John played the guitar regularly when he stopped over. "The first time that he played it was all a bit magical as he was so happy noodling away on it, the best thing for me to do was shut up and leave him to his own devices for a couple of hours whilst I listened in from the kitchen !"
We have refretted the guitar. It's in excellent condition, just a little faded from being out in the world and played for twenty-two years. To be fair, the pictures make it seem rather brighter and more orange than it is in real life. It has a Headway FEQ pickup fitted.
I think it’s one of the best examples of an Oberon you will see anywhere.
The other part of the story is a little unfortunate. One year after he bought it, the guitar "fell" off its stand, and the headstock broke in "the usual place". That sounds really bad news, but it's not.
We repaired it. The repair is twenty-one years old now and is still invisible.
There is a lot of nonsense talked about guitar repairs. There are correct ways of doing these things and I hold a very firm line. I'm very proud of the way Alex and Paul continue with the same attitude. We know where the repair is, I could easily offer it for sale without telling anyone. But I won't.
It's for sale at £3,600 and I'd be happy to discuss it. - SOLD
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Will McNicol introduced me to Antonio. We've made him three guitars and a mandolin in the years since then. I have seen a brief clip of him playing the mandolin, and he has promised me a professional video at some point.
Whenever I see the Reverend Richard Coles on TV I think of Sarah, which makes me think of Antonio, so I then open YouTube, and things like this pop up. What fun.
Antonio often tuned his bass string down to illegal notes. To accommodate that, we ground the frets under the bass string almost to nothing so that the strings don’t play out of tune when he presses them down. He also likes to tune the string quickly, so I fitted an oversize string post.
Over the years, I've spent a lot of time trying to accommodate unusual requests from artists. It's not a sensible business model but it’s always been a big part of what we do and hope to continue doing for a long time yet.
There is a link here, as it's another story about guitar repair.
Dick had broken the headstock off his much travelled and battered Martin. He had made it known that the only person he would trust would be me, but somehow, he never plucked up the courage to ask me! Some fans of his managed to get the guitar to me without him knowing.
Somewhere along the way, Dick had visited me for a cuppa and fell in love with the guitar you see him playing in this video. It coincided with him receiving a reasonable royalty check. from the BBC I think. The rest, as they say, is history.
Dick is far from the only Artist whose music is trapped in this legal limbo. I often get asked what happened to the " Fylde Acoustic " album that Bill Leader and I made in 1977. Here is the answer. I have tried a number of times to get through all the barriers and it's a frequent topic of (angry) conversation amongst our friends. Dick probably has the most "invested" in this unpleasant situation and I really hope something gets sorted out very soon.
This is John's second Falstaff, I think he keeps it on this side of the Atlantic to avoid transport hassles. It used to be said that a sailor had a girl in every port.
I don’t know why the video goes out of focus later on, perhaps because they are playing so fast.
I wish I knew where this was filmed, isn't it lovely? Robyn has a massive following and has worked with many major artists. You'll probably recognise some of the songs.
Watch out for our Christmas Newsletter next week. Specially recorded Music , minced pies, silly hats, all that sort of thing!
Roger.
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